The final weeks of the women’s tennis season showcased one last twist in the furious race to determine the qualifiers for the WTA Finals. Elena Rybakina, the 2022 Wimbledon champion, finally caught fire after a year of near misses, bulldozing through her opponents to win a title in Ningbo, China that solidified her spot in Riyadh among the eight best players in the world.
At the top, Aryna Sabalenka and Iga Swiatek have further strengthened their claims as the two greatest players of their generation. While the former put together another supremely consistent year as the best player in the world, winning her fourth grand slam title at the US Open and reaching the Australian and French Open finals, the latter captured the one tournament she never imagined she could win, earning her sixth grand slam title at Wimbledon.
Still, the other top players have allowed them no rest and the intense competition has inspired countless epic high-stakes matches throughout the year. It took consecutive colossal performances from Madison Keys against Swiatek and Sabalenka to finally win her first grand slam title at the Australian Open. In Paris, Coco Gauff outsmarted Sabalenka in a dramatic, wind-afflicted three-setter to win her second grand slam title aged just 21. Two days earlier, Sabalenka ended Swiatek’s three- year reign in another unforgettable duel.
At the US Open, women’s semi-final day turned out to be one of the best days of tennis this year as Sabalenka overcame Jessica Pegula in a breathless, high-quality battle before Amanda Anisimova continued her long-awaited breakthrough season by dragging herself past Naomi Osaka to reach a second consecutive grand slam final. Even Swiatek’s 6-0, 6-0 demolition of Anisimova in the Wimbledon final turned out to be part of one of the most compelling storylines this year. Two months later, Anisimova showed her toughness by exacting revenge on the Pole at the earliest opportunity in New York.
This may have been a great year for women’s tennis on the court, but on the eve of another finals, the eternal question remains whether the tour can provide its talent with a strong enough platform to turn the sport into a thriving product again. As the Women’s Tennis Association’s flagship event, in recent years this tournament has reflected the tour’s struggles. It should actually be in the middle of a 10-year residency in Shenzhen but the Covid-19 pandemic and the WTA’s fleeting objections to the disappearance of Peng Shuai led to the cancellation of their agreement after the first edition in 2019.
The event then bounced between different countries each year, with various difficulties, a period that also left the WTA in a deep financial hole. Its inevitable embrace of Saudi Arabia addressed some of those financial issues and in recent years the organisation has been restructured. In 2023, the private equity firm CVC Capital Partners acquired a 20% stake in the WTA’s new commercial arm, WTA Ventures. Last August, it appointed Portia Archer as its chief executive.
For all the recent changes at the WTA, which included a significant image rebrand at the beginning of the year, it remains to be seen if it can put itself on the right path. Aside from changing the graphics of their website alongside a beige new slogan – Rally The World – not so much has changed to its public offering since that rebrand. The WTA marketing budget remains a fraction of that of the men’s Association of Tennis Professionals (ATP) and it shows in its paltry output on social media and lack of original content on YouTube.
Eight years after initiating its own bespoke subscription-based streaming product, WTA TV, the service still does not have its own app or a global presence. This also contrasts starkly with Tennis TV, the ATP’s streaming platform, which suffocates viewers with content. A particularly concerning development at the WTA, which does not reflect well on the organisation’s judgment, was the decision to end its WTA Insider initiative, one of the few ways that it effectively showcased the storylines within the sport. Otherwise, the WTA has been dire at marketing its players and their personalities for so long.
At a time when women’s sport is enjoying significant growth and momentum around the world, the WTA should be leading the way. Instead, it is still stunted by its own problems and the path forward is unclear. What is certain, though, is the quality provided by the athletes on the court. As play begins on Saturday, with Gauff attempting to defend her title in a brutal field composed of the best players in the world, there will be more great tennis to come.
Now this is the kind of reporting more people need to read because it is the absolute truth. The WTA likes to pretend it's making progress but in reality it continues to be stagnant when compared to the ATP.
All these years later and despite plenty of progress it still feels like women are still being treated as 2nd class citizens.
Whether it's prize money or money spent on marketing to sell the sport better. It is beyond sad, and perhaps more importantly incredibly frustrating.
In 2025 WTATV still doesn't have an app (I have to watch the matches through the Amazon Silk browser). While the ATP app has had at least 3 revamps over the years and continues to improve.
What's worse is that the WTA app still isn't global and only available in North America. Talk about an opportunity missed.
How are people suppose to follow their favourite player around the world if it's not available to watch anywhere.
It is such a simple and smart business solution yet no one in the organization seems to see it. Or maybe it's just that they don't much care.
No comments:
Post a Comment